<?xml version="1.0" encoding="utf-8" standalone="yes"?><rss version="2.0" xmlns:atom="http://www.w3.org/2005/Atom"><channel><title>Slides |</title><link>https://example.com/slides/</link><atom:link href="https://example.com/slides/index.xml" rel="self" type="application/rss+xml"/><description>Slides</description><generator>HugoBlox Kit (https://hugoblox.com)</generator><language>en-us</language><lastBuildDate>Fri, 21 Jun 2024 00:00:00 +0000</lastBuildDate><image><url>https://example.com/media/icon_hu_cd51c91342a84ed6.png</url><title>Slides</title><link>https://example.com/slides/</link></image><item><title>Exploring Linguistic Landscapes in the Sacred Spaces of a Shinto Shrine</title><link>https://example.com/slides/ll15/</link><pubDate>Fri, 21 Jun 2024 00:00:00 +0000</pubDate><guid>https://example.com/slides/ll15/</guid><description>&lt;h1 id="exploring-linguistic-landscapes-in-the-sacred-spaces-of-a-shinto-shrine"&gt;Exploring Linguistic Landscapes in the Sacred Spaces of a Shinto Shrine&lt;/h1&gt;
&lt;p&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;/p&gt;
&lt;hr&gt;
&lt;h1 id="agenda"&gt;Agenda&lt;/h1&gt;
&lt;ol&gt;
&lt;li&gt;How can the LL show us what a community finds sacred?&lt;/li&gt;
&lt;li&gt;How does the LL express sacredness and other shared values in a community?&lt;/li&gt;
&lt;li&gt;Who are these sacred spaces for?&lt;/li&gt;
&lt;/ol&gt;
&lt;hr&gt;
&lt;h1 id="bibliography"&gt;LL in Sacred Spaces&lt;/h1&gt;
&lt;div style="padding-left: 4em; text-indent: -4em; font-size: 60%; text-align: left;"&gt;
&lt;p&gt;Alsaif, R. A. S., &amp;amp; Starks, D. (2019). Medium and domains in the linguistic landscapes of the Grand Mosque in Mecca. Journal of Multilingual and Multicultural Development, 40(1), 14–31.
Coluzzi, P., &amp;amp; Kitade, R. (2015). The languages of places of worship in the Kuala Lumpur area: A study on the “religious” linguistic landscape in Malaysia. Linguistic Landscape. An International Journal, 1(3), 243–267.
Esteron, J. J. (2021). English in the churchscape: Exploring a religious linguistic landscape in the Philippines. Discourse and Interaction, 14(2), 82–104.
Inya, B. T. (2019). Linguistic landscape of religious signboards in Ado Ekiti, Nigeria: Culture, identity and globalisation. Theory and Practice in Language Studies, 9(9), 1146.
Perera, N. (2016). Tamil in the temples – Language and religious maintenance beyond the first generation. Multilingua, 35(5).
Wafa, A., &amp;amp; Wijayanti, S. (2018). Signs of multilingualism at religious places in Surabaya: A linguistic landscape study. Proceedings of the International Conference on Language Phenomena in Multimodal Communication (KLUA 2018).
Woldemariam, H., &amp;amp; Lanza, E. (2012). Religious wars in the linguistic landscape of an African capital. In C. Hélot, M. Barni, R. Janssens, &amp;amp; C. Bagna (Eds.), Linguistic landscapes, multilingualism and social change (pp. 169–184). Peter Lang.
Yusuf, K., &amp;amp; Putrie, Y. E. (2022). The linguistic landscape of mosques in Indonesia: Materiality ‎and identity representation. International Journal of Society Culture and Language, Online First.
&lt;/p&gt;
&lt;hr&gt;
&lt;p&gt;|&amp;mdash;&amp;mdash;&amp;mdash;&amp;mdash;&amp;mdash;&amp;mdash;&amp;mdash;&amp;mdash;-|&amp;mdash;&amp;mdash;&amp;mdash;&amp;mdash;&amp;ndash;|&amp;mdash;&amp;mdash;&amp;mdash;&amp;mdash;&amp;mdash;&amp;mdash;&amp;mdash;&amp;mdash;&amp;mdash;&amp;mdash;&amp;mdash;&amp;mdash;&amp;mdash;&amp;mdash;&amp;mdash;&amp;mdash;&amp;mdash;&amp;ndash;|&amp;mdash;&amp;mdash;&amp;mdash;&amp;mdash;&amp;mdash;&amp;mdash;&amp;mdash;&amp;mdash;&amp;mdash;&amp;mdash;&amp;mdash;&amp;mdash;&amp;mdash;&amp;mdash;&amp;mdash;&amp;mdash;&amp;mdash;&amp;mdash;|
| Coluzzi &amp;amp; Kitade (2015) | Kuala Lumpur | Mosque, Theravada Buddhist | Malay is minimal (except Islam), |
| | | temple, Anglican &amp;amp; Catholic Christian | English is a “neutral” language |&lt;/p&gt;
&lt;table&gt;
&lt;thead&gt;
&lt;tr&gt;
&lt;th&gt;&lt;/th&gt;
&lt;th&gt;&lt;/th&gt;
&lt;th&gt;church, Chinese temple, Hindu temple, Sikh gurdwara&lt;/th&gt;
&lt;th&gt;Other languages only used to highlight ethnicities&lt;/th&gt;
&lt;/tr&gt;
&lt;/thead&gt;
&lt;tbody&gt;
&lt;tr&gt;
&lt;td&gt;Esteron (2021)&lt;/td&gt;
&lt;td&gt;Manaoag,&lt;/td&gt;
&lt;td&gt;Catholic church&lt;/td&gt;
&lt;td&gt;English is the dominant language;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;&lt;/td&gt;
&lt;td&gt;Pangasinan,&lt;/td&gt;
&lt;td&gt;&lt;/td&gt;
&lt;td&gt;Filipino secondary, and Pangasinan is minimally used&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;&lt;/td&gt;
&lt;td&gt;Philippines&lt;/td&gt;
&lt;td&gt;&lt;/td&gt;
&lt;td&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;&amp;mdash;&amp;mdash;&amp;mdash;&amp;mdash;&amp;mdash;&amp;mdash;&amp;mdash;&amp;mdash;-&lt;/td&gt;
&lt;td&gt;&amp;mdash;&amp;mdash;&amp;mdash;&amp;mdash;&amp;ndash;&lt;/td&gt;
&lt;td&gt;&amp;mdash;&amp;mdash;&amp;mdash;&amp;mdash;&amp;mdash;&amp;mdash;&amp;mdash;&amp;mdash;&amp;mdash;&amp;mdash;&amp;mdash;&amp;mdash;&amp;mdash;&amp;mdash;&amp;mdash;&amp;mdash;&amp;mdash;&amp;ndash;&lt;/td&gt;
&lt;td&gt;&amp;mdash;&amp;mdash;&amp;mdash;&amp;mdash;&amp;mdash;&amp;mdash;&amp;mdash;&amp;mdash;&amp;mdash;&amp;mdash;&amp;mdash;&amp;mdash;&amp;mdash;&amp;mdash;&amp;mdash;&amp;mdash;&amp;mdash;&amp;mdash;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;Alsaif &amp;amp; Starks (2021)&lt;/td&gt;
&lt;td&gt;Mecca,&lt;/td&gt;
&lt;td&gt;Grand Mosque&lt;/td&gt;
&lt;td&gt;Arabic: sacred domains;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;&lt;/td&gt;
&lt;td&gt;Saudi Arabia&lt;/td&gt;
&lt;td&gt;&lt;/td&gt;
&lt;td&gt;English, Urdu, Farsi, etc. for banal domains&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;&amp;mdash;&amp;mdash;&amp;mdash;&amp;mdash;&amp;mdash;&amp;mdash;&amp;mdash;&amp;mdash;-&lt;/td&gt;
&lt;td&gt;&amp;mdash;&amp;mdash;&amp;mdash;&amp;mdash;&amp;ndash;&lt;/td&gt;
&lt;td&gt;&amp;mdash;&amp;mdash;&amp;mdash;&amp;mdash;&amp;mdash;&amp;mdash;&amp;mdash;&amp;mdash;&amp;mdash;&amp;mdash;&amp;mdash;&amp;mdash;&amp;mdash;&amp;mdash;&amp;mdash;&amp;mdash;&amp;mdash;&amp;ndash;&lt;/td&gt;
&lt;td&gt;&amp;mdash;&amp;mdash;&amp;mdash;&amp;mdash;&amp;mdash;&amp;mdash;&amp;mdash;&amp;mdash;&amp;mdash;&amp;mdash;&amp;mdash;&amp;mdash;&amp;mdash;&amp;mdash;&amp;mdash;&amp;mdash;&amp;mdash;&amp;mdash;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;Inya (2019)&lt;/td&gt;
&lt;td&gt;Ado Ekiti,&lt;/td&gt;
&lt;td&gt;Christianity, Islam, and&lt;/td&gt;
&lt;td&gt;Christianity: English; Islam: English,&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;&lt;/td&gt;
&lt;td&gt;Nigeria&lt;/td&gt;
&lt;td&gt;African Traditional Religion (ATR)&lt;/td&gt;
&lt;td&gt;Arabic; ATR: Yoruba (English)&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;&amp;mdash;&amp;mdash;&amp;mdash;&amp;mdash;&amp;mdash;&amp;mdash;&amp;mdash;&amp;mdash;-&lt;/td&gt;
&lt;td&gt;&amp;mdash;&amp;mdash;&amp;mdash;&amp;mdash;&amp;ndash;&lt;/td&gt;
&lt;td&gt;&amp;mdash;&amp;mdash;&amp;mdash;&amp;mdash;&amp;mdash;&amp;mdash;&amp;mdash;&amp;mdash;&amp;mdash;&amp;mdash;&amp;mdash;&amp;mdash;&amp;mdash;&amp;mdash;&amp;mdash;&amp;mdash;&amp;mdash;&amp;ndash;&lt;/td&gt;
&lt;td&gt;&amp;mdash;&amp;mdash;&amp;mdash;&amp;mdash;&amp;mdash;&amp;mdash;&amp;mdash;&amp;mdash;&amp;mdash;&amp;mdash;&amp;mdash;&amp;mdash;&amp;mdash;&amp;mdash;&amp;mdash;&amp;mdash;&amp;mdash;&amp;mdash;&lt;/td&gt;
&lt;/tr&gt;
&lt;/tbody&gt;
&lt;/table&gt;
&lt;hr&gt;
&lt;h2 id="sacred-ll-studies-in-japan"&gt;Sacred LL studies in Japan&lt;/h2&gt;
&lt;ul&gt;
&lt;li&gt;Hiramatsu (2021): Nikko, home to Shrines and Temples of Nikk_ UNESCO World Heritage Site as well as National Treasures of Japan and Important Cultural Properties&lt;/li&gt;
&lt;li&gt;Doering (2021): development of an ancient pilgrimage route, the preference for and tensions with lower-impact, independent Western tourists in rural Wakayama&lt;/li&gt;
&lt;/ul&gt;
&lt;hr&gt;
&lt;h2 id="religion-in-japan"&gt;Religion in Japan&lt;/h2&gt;
&lt;figure height="300px" style="float:right;"&gt;
&lt;img src="./religioninjapan.png" /&gt;
&lt;figcaption&gt;(Agency for Cultural Affairs, December 2023)&lt;/figcaption&gt;
&lt;/figure&gt;
&lt;ul&gt;
&lt;li&gt;
&lt;table&gt;
&lt;thead&gt;
&lt;tr&gt;
&lt;th&gt;Population of Japan: 125.1 million&lt;/th&gt;
&lt;th&gt;&lt;/th&gt;
&lt;th&gt;&lt;/th&gt;
&lt;th&gt;&lt;/th&gt;
&lt;th&gt;&lt;/th&gt;
&lt;/tr&gt;
&lt;/thead&gt;
&lt;tbody&gt;
&lt;tr&gt;
&lt;td&gt;神道系&lt;/td&gt;
&lt;td&gt;仏教系&lt;/td&gt;
&lt;td&gt;キリスト教系&lt;/td&gt;
&lt;td&gt;諸教&lt;/td&gt;
&lt;td&gt;小計&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;&amp;mdash;&amp;mdash;&amp;mdash;&amp;mdash;&amp;ndash;&lt;/td&gt;
&lt;td&gt;&amp;mdash;&amp;mdash;&amp;mdash;&amp;mdash;&amp;ndash;&lt;/td&gt;
&lt;td&gt;&amp;mdash;&amp;mdash;&amp;mdash;&amp;mdash;&amp;ndash;&lt;/td&gt;
&lt;td&gt;&amp;mdash;&amp;mdash;&amp;mdash;&amp;mdash;-&lt;/td&gt;
&lt;td&gt;&amp;mdash;&amp;mdash;&amp;mdash;&amp;mdash;&amp;mdash;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;83,964,368人&lt;/td&gt;
&lt;td&gt;70,759,447人&lt;/td&gt;
&lt;td&gt;1,262,924人&lt;/td&gt;
&lt;td&gt;7,004,560人&lt;/td&gt;
&lt;td&gt;162,991,299人&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;&amp;mdash;&amp;mdash;&amp;mdash;&amp;mdash;&amp;ndash;&lt;/td&gt;
&lt;td&gt;&amp;mdash;&amp;mdash;&amp;mdash;&amp;mdash;&amp;ndash;&lt;/td&gt;
&lt;td&gt;&amp;mdash;&amp;mdash;&amp;mdash;&amp;mdash;&amp;ndash;&lt;/td&gt;
&lt;td&gt;&amp;mdash;&amp;mdash;&amp;mdash;&amp;mdash;-&lt;/td&gt;
&lt;td&gt;&amp;mdash;&amp;mdash;&amp;mdash;&amp;mdash;&amp;mdash;&lt;/td&gt;
&lt;/tr&gt;
&lt;/tbody&gt;
&lt;/table&gt;
&lt;/li&gt;
&lt;/ul&gt;
&lt;hr&gt;
&lt;h2 id="irl-in-languageculture-learning"&gt;IRL in Language/Culture Learning&lt;/h2&gt;
&lt;figure height="300px" style="float:right;"&gt;
&lt;img src="./Discursive.webp" /&gt;
&lt;figcaption&gt;Bhandari, A., &amp;amp; Humphreys, L. (2023). The best thing on
Twitch today was a bike messenger: Experiencing metropolis, mobility and
place through live-streaming.&lt;/figcaption&gt;
&lt;/figure&gt;
&lt;hr&gt;
&lt;h2 id="shinto"&gt;Shinto&lt;/h2&gt;
&lt;ul&gt;
&lt;li&gt;神道 Shintō: “the way of the gods”&lt;/li&gt;
&lt;li&gt;“a folk belief emerging from natural spiritual behavior, for which reason it has no creeds nor scriptures” (Melikian, 2001)&lt;/li&gt;
&lt;li&gt;indigenous religion of Japan: origins in prehistory, no founder, tightly wound with Japanese people, imperial family, history, and customs.&lt;/li&gt;
&lt;li&gt;Venerates 神 kami or divine spirits: cycles of nature, thunder, wind, rocks, trees, some animals, ancestral spirits, guardian spirits, national heroes.&lt;/li&gt;
&lt;/ul&gt;
&lt;hr&gt;
&lt;h2 id="神社-jinja-shinto-shrines"&gt;神社 jinja Shinto Shrines&lt;/h2&gt;
&lt;ul&gt;
&lt;li&gt;~100,000 shrines in Japan.&lt;/li&gt;
&lt;li&gt;“spontaneous manifestation of the people&amp;rsquo;s faith in the kami, and shrine rites and festivals are the highest expression of that faith” (Ono, 1962, p. 20)&lt;/li&gt;
&lt;li&gt;significant natural beauty: forest, boulder, waterfall, hilltop&lt;/li&gt;
&lt;li&gt;Prayer: to pass entrance exams, success in business, protection for a safe childbirth, prevention of automobile accidents, to avoid calamities during “unlucky” years.&lt;/li&gt;
&lt;li&gt;Celebration: New Year, first visit, weddings, matsuri&lt;/li&gt;
&lt;/ul&gt;
&lt;hr&gt;</description></item><item><title>Exploring the Potential of IRL Streaming for Language Learning</title><link>https://example.com/slides/worldcall2023/</link><pubDate>Sun, 12 Nov 2023 00:00:00 +0000</pubDate><guid>https://example.com/slides/worldcall2023/</guid><description>&lt;h1 id="exploring-the-potential-of-in-real-life-irl-streaming-for-language-learning-a-participant-observation-study-of-japanese-university-students"&gt;Exploring the Potential of In Real Life (IRL) Streaming for Language Learning: A Participant Observation Study of Japanese University Students&lt;/h1&gt;
&lt;p&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;/p&gt;
&lt;hr&gt;
&lt;h1 id="profile"&gt;Profile&lt;/h1&gt;
&lt;ul&gt;
&lt;li&gt;EFL, Faculty of Economics, Nagoya Gakuin University, Japan&lt;/li&gt;
&lt;li&gt;Doctorate: Literacy, Culture &amp;amp; Language Education at Indiana
University, Bloomington (USA)&lt;/li&gt;
&lt;li&gt;Interests: Linguistic Landscape, Computer Assisted Language
Learning, Peer Evaluation&lt;/li&gt;
&lt;/ul&gt;
&lt;hr&gt;
&lt;h1 id="agenda"&gt;Agenda&lt;/h1&gt;
&lt;ol&gt;
&lt;li&gt;
&lt;/li&gt;
&lt;li&gt;What Happens when Students Use IRL Streams for Language Learning?&lt;/li&gt;
&lt;li&gt;What Are the Pedagogical Implications and Challenges?&lt;/li&gt;
&lt;/ol&gt;
&lt;hr&gt;
&lt;h1 id="in-real-life-livestreaming"&gt;In-Real-Life Livestreaming&lt;/h1&gt;
&lt;p&gt;[]{#irl}&lt;/p&gt;
&lt;hr&gt;
&lt;h2 id="live-streaming"&gt;Live-streaming&lt;/h2&gt;
&lt;p&gt;
&lt;figure &gt;
&lt;div class="flex justify-center "&gt;
&lt;div class="w-full" &gt;
&lt;img alt=""
srcset="https://example.com/slides/worldcall2023/kan_hu_482496d756de0da3.webp 320w, https://example.com/slides/worldcall2023/kan_hu_66805a1f7270aff5.webp 480w, https://example.com/slides/worldcall2023/kan_hu_fc841f051b1bbf3c.webp 509w"
sizes="(max-width: 480px) 100vw, (max-width: 768px) 90vw, (max-width: 1024px) 80vw, 760px"
src="https://example.com/slides/worldcall2023/kan_hu_482496d756de0da3.webp"
width="509"
height="760"
loading="lazy" data-zoomable /&gt;&lt;/div&gt;
&lt;/div&gt;&lt;/figure&gt;
{style=&amp;ldquo;float:right;&amp;rdquo; width=&amp;ldquo;200px; margin:20px;&amp;rdquo;}&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;Justin.tv &amp;ldquo;lifecasting&amp;rdquo; (Sirius, 2007)&lt;/li&gt;
&lt;li&gt;interactive, participatory social media&lt;/li&gt;
&lt;li&gt;broadcast in real-time&lt;/li&gt;
&lt;li&gt;typically interacting with viewers thru synchronous, built-in chat&lt;/li&gt;
&lt;li&gt;rapid growth since 2011&lt;/li&gt;
&lt;li&gt;common genres: Let's Play, Just Chatting, Coding, Music, Makers&lt;/li&gt;
&lt;/ul&gt;
&lt;hr&gt;
&lt;h2 id="in-real-life-livestreaming-1"&gt;In-Real-Life Livestreaming&lt;/h2&gt;
&lt;ul&gt;
&lt;li&gt;2016: Twitch announced a new streaming category called &amp;ldquo;In Real
Life&amp;rdquo; (IRL)&lt;/li&gt;
&lt;li&gt;a genre of live streaming that allowed users to share, &amp;ldquo;their
everyday lives, thoughts, and opinions with their communities&amp;rdquo;&lt;/li&gt;
&lt;li&gt;authentic engagement with viewers&lt;/li&gt;
&lt;/ul&gt;
&lt;hr&gt;
&lt;h2 id="heading"&gt;⠀&lt;/h2&gt;
&lt;p&gt;&lt;video controls width="800" height="600" src="./twitch.mp4"&gt;&lt;/video&gt;&lt;/p&gt;
&lt;hr&gt;
&lt;h2 id="irl-in-languageculture-learning"&gt;IRL in Language/Culture Learning&lt;/h2&gt;
&lt;figure height="300px" style="float:right;"&gt;
&lt;img src="./Discursive.webp" /&gt;
&lt;figcaption&gt;Bhandari, A., &amp;amp; Humphreys, L. (2023). The best thing on
Twitch today was a bike messenger: Experiencing metropolis, mobility and
place through live-streaming.&lt;/figcaption&gt;
&lt;/figure&gt;
&lt;hr&gt;
&lt;h2 id="heading-1"&gt;⠀&lt;/h2&gt;
&lt;ul&gt;
&lt;li&gt;IRL streams reinforce the centrality of movement and mobility&lt;/li&gt;
&lt;li&gt;mediated/&amp;ldquo;platformed&amp;rdquo; placemaking&lt;/li&gt;
&lt;li&gt;digital wayfaring&lt;/li&gt;
&lt;li&gt;emphasis on the social construction of space&lt;/li&gt;
&lt;/ul&gt;
&lt;hr&gt;
&lt;h3 id="heading-2"&gt;⠀&lt;/h3&gt;
&lt;p&gt;
&lt;figure &gt;
&lt;div class="flex justify-center "&gt;
&lt;div class="w-full" &gt;
&lt;img alt=""
srcset="https://example.com/slides/worldcall2023/diwali_hu_e5c7d54ecf239859.webp 320w, https://example.com/slides/worldcall2023/diwali_hu_65634233b2256d13.webp 480w, https://example.com/slides/worldcall2023/diwali_hu_a08ec9e6183680a6.webp 760w"
sizes="(max-width: 480px) 100vw, (max-width: 768px) 90vw, (max-width: 1024px) 80vw, 760px"
src="https://example.com/slides/worldcall2023/diwali_hu_e5c7d54ecf239859.webp"
width="760"
height="629"
loading="lazy" data-zoomable /&gt;&lt;/div&gt;
&lt;/div&gt;&lt;/figure&gt;
{height=&amp;ldquo;600px&amp;rdquo;}&lt;/p&gt;
&lt;hr&gt;
&lt;h1 id="literature-review"&gt;Literature Review&lt;/h1&gt;
&lt;div style="font-size: 60%;"&gt;
&lt;p&gt;Hilvert-Bruce et al. (2018) motivations: social interaction, sense of community, meeting new people, entertainment, information seeking, lack of external support in real life
Chen et al. (2019) instant feedback and increased engagement
Samat et al. (2019) authentic learning experiences and opportunities for real-life communication/interactivity
Magasic (2017) authentic language, verbal language features, paralinguistic features, motivational appeal&lt;/p&gt;
&lt;/div&gt;
&lt;hr&gt;
&lt;h1 id="methodology-participant-observation"&gt;Methodology: Participant Observation&lt;/h1&gt;
&lt;p&gt;A qualitative method where the researcher observes and participates in a
group/community to gain a deep understanding of their behaviors and
practices (Jorgensen, 2020)&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;immerse in real-life language contexts&lt;/li&gt;
&lt;li&gt;observe language learners in action&lt;/li&gt;
&lt;li&gt;gain insights into the complexities of language acquisition in
authentic settings&lt;/li&gt;
&lt;/ul&gt;
&lt;hr&gt;
&lt;h1 id="participants"&gt;Participants&lt;/h1&gt;
&lt;figure width="600px"&gt;
&lt;img src="./participants.jpg" /&gt;
&lt;figcaption&gt;Participants&lt;/figcaption&gt;
&lt;/figure&gt;
&lt;hr&gt;
&lt;h2 id="heading-3"&gt;⠀&lt;/h2&gt;
&lt;ul&gt;
&lt;li&gt;Recruited through snowball sampling&lt;/li&gt;
&lt;li&gt;Native Japanese speakers&lt;/li&gt;
&lt;li&gt;2nd year university students&lt;/li&gt;
&lt;li&gt;Sports majors&lt;/li&gt;
&lt;li&gt;Ages 19&amp;ndash;20&lt;/li&gt;
&lt;li&gt;CFER English level: A1&lt;/li&gt;
&lt;li&gt;unfamiliar with IRL and livestreaming platforms in general&lt;/li&gt;
&lt;/ul&gt;
&lt;hr&gt;
&lt;h2 id="process"&gt;Process&lt;/h2&gt;
&lt;ul&gt;
&lt;li&gt;Brief discussion on theme&lt;/li&gt;
&lt;li&gt;Watch a stream together&lt;/li&gt;
&lt;li&gt;Brief discussion on stream in relation to theme&lt;/li&gt;
&lt;li&gt;Have participants choose stream&lt;/li&gt;
&lt;li&gt;Participants share their findings&lt;/li&gt;
&lt;/ul&gt;
&lt;hr&gt;
&lt;h2 id="data-collection"&gt;Data Collection&lt;/h2&gt;
&lt;p&gt;Five 90-minute sessions over a five-week period&lt;/p&gt;
&lt;p&gt;Themes:&lt;/p&gt;
&lt;ol&gt;
&lt;li&gt;Introduction to livestreaming and IRL&lt;/li&gt;
&lt;li&gt;Exploring IRL streams&lt;/li&gt;
&lt;li&gt;Use of IRL for learning authentic language, culture; gaining
motivation&lt;/li&gt;
&lt;li&gt;Challenges of IRL for language learning&lt;/li&gt;
&lt;li&gt;Interaction with IRL streamers&lt;/li&gt;
&lt;/ol&gt;
&lt;hr&gt;
&lt;h1 id="results"&gt;Results&lt;/h1&gt;
&lt;hr&gt;
&lt;h2 id="how-participants-found-their-streams"&gt;How Participants Found Their Streams&lt;/h2&gt;
&lt;ul&gt;
&lt;li&gt;I look at number of followers.&lt;/li&gt;
&lt;li&gt;A few viewers.&lt;/li&gt;
&lt;li&gt;Read the comments.&lt;/li&gt;
&lt;li&gt;Look at cute.&lt;/li&gt;
&lt;li&gt;Looks easiest to understand.&lt;/li&gt;
&lt;/ul&gt;
&lt;hr&gt;
&lt;h3 id="heading-4"&gt;⠀&lt;/h3&gt;
&lt;p&gt;&lt;video controls width="800" height="600" src="./hi-viewership.mp4"&gt;&lt;/video&gt;&lt;/p&gt;
&lt;hr&gt;
&lt;h2 id="solo-stream-busan"&gt;Solo Stream Busan&lt;/h2&gt;
&lt;div style="font-size: 70%;"&gt;
&lt;figure width="300px"&gt;
&lt;img src="./exbc.png" /&gt;
&lt;figcaption&gt;EXBC &lt;a
href="https://www.twitch.tv/exbc"&gt;https://www.twitch.tv/exbc&lt;/a&gt;&lt;/figcaption&gt;
&lt;/figure&gt;
&lt;ul&gt;
&lt;li&gt;Description: A Korean man is taking a walk in Busan. The girl looks
cute.&lt;/li&gt;
&lt;li&gt;I learned some things about Korea. Of course, it's cold!&lt;/li&gt;
&lt;li&gt;It was interesting to watch them eat so much.&lt;/li&gt;
&lt;li&gt;He was making noises while eating.&lt;/li&gt;
&lt;li&gt;I was able to listen to a lot of English.&lt;/li&gt;
&lt;/ul&gt;
&lt;/div&gt;
&lt;hr&gt;
&lt;h3 id="heading-5"&gt;⠀&lt;/h3&gt;
&lt;p&gt;&lt;video controls width="800" height="600" src="./exbc.mp4"&gt;&lt;/video&gt;&lt;/p&gt;
&lt;hr&gt;
&lt;h2 id="thailand-trip"&gt;Thailand Trip&lt;/h2&gt;
&lt;figure width="300px"&gt;
&lt;img src="./reydempto.jpg" /&gt;
&lt;figcaption&gt;Reydempto &lt;a href="https://www.twitch.tv/exbc"&gt;https://www.twitch.tv/exbc&lt;/a&gt;&lt;/figcaption&gt;
&lt;/figure&gt;
&lt;ul&gt;
&lt;li&gt;I chose it because he response to comments quickly.&lt;/li&gt;
&lt;li&gt;Walking around the port at night&lt;/li&gt;
&lt;/ul&gt;
&lt;hr&gt;
&lt;h3 id="heading-6"&gt;⠀&lt;/h3&gt;
&lt;p&gt;&lt;video controls width="800" height="600" src="./reydempto.mp4"&gt;&lt;/video&gt;&lt;/p&gt;
&lt;hr&gt;
&lt;h2 id="tokaido-day-1"&gt;Tokaido Day 1&lt;/h2&gt;
&lt;figure width="300px"&gt;
&lt;img src="./sensei-martian.png" /&gt;
&lt;figcaption&gt;Sensei-Martian&lt;/figcaption&gt;
&lt;/figure&gt;
&lt;ul&gt;
&lt;li&gt;Description: He is walking Tokaido. He walked along the Tama River&lt;/li&gt;
&lt;li&gt;He seems to like Japan&lt;/li&gt;
&lt;li&gt;He answer my questions&lt;/li&gt;
&lt;li&gt;There are few viewers&lt;/li&gt;
&lt;li&gt;&amp;quot;Nice stash&amp;quot;&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;&lt;video controls width="800" height="600" src="./sensei-martian.mp4"&gt;&lt;/video&gt;&lt;/p&gt;
&lt;hr&gt;
&lt;h1 id="pedagogical-implications-and-challenges"&gt;Pedagogical Implications and Challenges&lt;/h1&gt;
&lt;hr&gt;
&lt;h2 id="authentic-language-exposure"&gt;Authentic Language Exposure&lt;/h2&gt;
&lt;ul&gt;
&lt;li&gt;(Chat) Internet acronyms (BRB, JK, OMW)&lt;!-- .element: class="fragment" --&gt;&lt;/li&gt;
&lt;li&gt;Slang: Nice stash, ingest offline, &amp;quot;no way,&amp;quot; tipsy&lt;!-- .element: class="fragment" --&gt;&lt;/li&gt;
&lt;/ul&gt;
&lt;hr&gt;
&lt;h3 id="heading-7"&gt;⠀&lt;/h3&gt;
&lt;p&gt;
&lt;figure &gt;
&lt;div class="flex justify-center "&gt;
&lt;div class="w-full" &gt;
&lt;img alt=""
srcset="https://example.com/slides/worldcall2023/vocab_hu_20130ce942558793.webp 320w, https://example.com/slides/worldcall2023/vocab_hu_f9364cc29608b9e0.webp 480w, https://example.com/slides/worldcall2023/vocab_hu_d42cb02650419a9.webp 760w"
sizes="(max-width: 480px) 100vw, (max-width: 768px) 90vw, (max-width: 1024px) 80vw, 760px"
src="https://example.com/slides/worldcall2023/vocab_hu_20130ce942558793.webp"
width="760"
height="392"
loading="lazy" data-zoomable /&gt;&lt;/div&gt;
&lt;/div&gt;&lt;/figure&gt;
&lt;/p&gt;
&lt;hr&gt;
&lt;h2 id="interactive-learning-opportunities"&gt;Interactive Learning Opportunities&lt;/h2&gt;
&lt;ul&gt;
&lt;li&gt;Communicating with streamer&lt;/li&gt;
&lt;li&gt;Communicating with chat&lt;/li&gt;
&lt;/ul&gt;
&lt;hr&gt;
&lt;h2 id="language-proficiency-requirements"&gt;Language Proficiency Requirements&lt;/h2&gt;
&lt;ul&gt;
&lt;li&gt;Can&amp;rsquo;t rewind stream.&lt;!-- .element: class="fragment" --&gt;&lt;/li&gt;
&lt;li&gt;Streamer is talking fast. &lt;!-- .element: class="fragment" --&gt;&lt;/li&gt;
&lt;li&gt;Not used to hearing new words. &lt;!-- .element: class="fragment" --&gt;&lt;/li&gt;
&lt;li&gt;When I was in high school, I had no desire to learn English, so don&amp;rsquo;t have the ability to listen. &lt;!-- .element: class="fragment" --&gt;&lt;/li&gt;
&lt;/ul&gt;
&lt;hr&gt;
&lt;h2 id="qualityreliability"&gt;Quality/Reliability&lt;/h2&gt;
&lt;p&gt;Quality/reliability of livestreamed content varies, and learners need to navigate through the vast array of available channels to find suitable and reliable sources of language input.&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;There was a streamer I wanted to watch, but I couldn't see it because of the time difference.&lt;!-- .element: class="fragment" --&gt;&lt;/li&gt;
&lt;li&gt;I'm looking for a streamer, but I can't find one in English. &lt;!-- .element: class="fragment" --&gt;&lt;/li&gt;
&lt;li&gt;I can't find the person I want to see. &lt;!-- .element: class="fragment" --&gt;&lt;/li&gt;
&lt;li&gt;I cannot find what I want because there are so many streamers. &lt;!-- .element: class="fragment" --&gt;&lt;/li&gt;
&lt;/ul&gt;
&lt;hr&gt;
&lt;h2 id="lack-of-structure"&gt;Lack of Structure&lt;/h2&gt;
&lt;ul&gt;
&lt;li&gt;&amp;quot;nontent&amp;quot; &lt;!-- .element: class="fragment" --&gt;&lt;/li&gt;
&lt;li&gt;No speaking streamer&lt;!-- .element: class="fragment" --&gt;&lt;/li&gt;
&lt;li&gt;Can't concentrate&lt;!-- .element: class="fragment" --&gt;&lt;/li&gt;
&lt;li&gt;I don't like the relaxed delivery&lt;!-- .element: class="fragment" --&gt;&lt;/li&gt;
&lt;/ul&gt;
&lt;hr&gt;
&lt;h2 id="inappropriate-content"&gt;Inappropriate Content&lt;/h2&gt;
&lt;ul&gt;
&lt;li&gt;Streamer says bad things&lt;!-- .element: class="fragment" --&gt;&lt;/li&gt;
&lt;li&gt;Bad manners&lt;!-- .element: class="fragment" --&gt;&lt;/li&gt;
&lt;li&gt;Adult content&lt;!-- .element: class="fragment" --&gt;&lt;/li&gt;
&lt;/ul&gt;
&lt;hr&gt;
&lt;h2 id="ethical-considerations"&gt;Ethical Considerations&lt;/h2&gt;
&lt;ul&gt;
&lt;li&gt;consent&lt;/li&gt;
&lt;li&gt;privacy norms&lt;/li&gt;
&lt;li&gt;local customs/regulations&lt;/li&gt;
&lt;/ul&gt;
&lt;hr&gt;
&lt;h1 id="conclusion"&gt;Conclusion&lt;/h1&gt;
&lt;hr&gt;
&lt;h2 id="benefits"&gt;Benefits&lt;/h2&gt;
&lt;ul&gt;
&lt;li&gt;authentic language exposure&lt;/li&gt;
&lt;li&gt;cultural immersion&lt;/li&gt;
&lt;li&gt;interactive learning opportunities&lt;/li&gt;
&lt;li&gt;vocabulary expansion&lt;/li&gt;
&lt;/ul&gt;
&lt;hr&gt;
&lt;h2 id="challenges"&gt;Challenges&lt;/h2&gt;
&lt;ul&gt;
&lt;li&gt;language proficiency requirements&lt;/li&gt;
&lt;li&gt;content quality&lt;/li&gt;
&lt;li&gt;lack of structure&lt;/li&gt;
&lt;li&gt;inappropriate content&lt;/li&gt;
&lt;/ul&gt;
&lt;hr&gt;
&lt;h2 id="future-directions"&gt;Future Directions&lt;/h2&gt;
&lt;ul&gt;
&lt;li&gt;Working with a dedicated streamer rather than through random
streams, e.g., tour guide&lt;/li&gt;
&lt;li&gt;Mediated discourse analysis/nexus analysis (chat, interaction with
streamer, parasocial relationships)&lt;/li&gt;
&lt;/ul&gt;
&lt;hr&gt;
&lt;h1 id="bibliography"&gt;References&lt;/h1&gt;
&lt;div style="padding-left: 4em; text-indent: -4em; font-size: 60%; text-align: left;"&gt;
&lt;p&gt;Bhandari, A., &amp;amp; Humphreys, L. (2023). The best thing on Twitch today was
a bike messenger: Experiencing metropolis, mobility and place through
live-streaming. In A. Parini &amp;amp; F. Yus (Eds.), &lt;em&gt;The discursive
construction of place in the digital age&lt;/em&gt; (pp. 33&amp;ndash;46). Routledge.
&lt;/p&gt;
&lt;p&gt;Chen, D., Freeman, D., &amp;amp; Balakrishnan, R. (2019). Integrating multimedia
tools to enrich interactions in live streaming for language learning.
&lt;em&gt;Proceedings of the 2019 CHI Conference on Human Factors in Computing
Systems&lt;/em&gt;, 1&amp;ndash;14.
&lt;/p&gt;
&lt;p&gt;Hilvert-Bruce, Z., Neill, J. T., Sjöblom, M., &amp;amp; Hamari, J. (2018).
Social motivations of live-streaming viewer engagement on Twitch.
Computers in Human Behavior, &lt;em&gt;84&lt;/em&gt; , 58&amp;ndash;67.
&lt;/p&gt;
&lt;p&gt;Jorgensen, D. L. (2020). &lt;em&gt;Principles, approaches and issues in
participant observation&lt;/em&gt;. Routledge.&lt;/p&gt;
&lt;p&gt;Magasic, M. (2017). Learning through watching: Streaming video in L2
English. &lt;em&gt;The JALT CALL Journal&lt;/em&gt;, &lt;em&gt;13&lt;/em&gt; (3), 199&amp;ndash;209.
&lt;/p&gt;
&lt;p&gt;Samat, N. A. A., Hashim, H., &amp;amp; Yunus, M. Md. (2019). Live streaming: A
new platform for ESL learning. &lt;em&gt;Creative Education&lt;/em&gt;, &lt;em&gt;10&lt;/em&gt; (12),
2899&amp;ndash;2906.
&lt;/p&gt;
&lt;/div&gt;
&lt;hr&gt;
&lt;h2 id="thank-you"&gt;Thank you!&lt;/h2&gt;
&lt;p&gt;Exploring the Potential of In Real Life (IRL) Streaming for Language
Learning: A Participant Observation Study of Japanese University
Students&lt;/p&gt;
&lt;p&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;figure &gt;
&lt;div class="flex justify-center "&gt;
&lt;div class="w-full" &gt;
&lt;img alt=""
srcset="https://example.com/slides/worldcall2023/worldcallqr_hu_7b66682f583b9a62.webp 111w"
sizes="(max-width: 480px) 100vw, (max-width: 768px) 90vw, (max-width: 1024px) 80vw, 760px"
src="https://example.com/slides/worldcall2023/worldcallqr_hu_7b66682f583b9a62.webp"
width="111"
height="111"
loading="lazy" data-zoomable /&gt;&lt;/div&gt;
&lt;/div&gt;&lt;/figure&gt;
&lt;/p&gt;</description></item><item><title>ThaiTESOL</title><link>https://example.com/slides/thaitesol/</link><pubDate>Fri, 27 Jan 2023 13:55:17 +0900</pubDate><guid>https://example.com/slides/thaitesol/</guid><description>&lt;h2 id="efl-learning-using-the-linguistic-landscape-of-sacred-spaces"&gt;EFL Learning Using the Linguistic Landscape of Sacred Spaces&lt;/h2&gt;
&lt;p&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;/p&gt;
&lt;hr&gt;
&lt;h2 id="profile"&gt;Profile&lt;/h2&gt;
&lt;ul&gt;
&lt;li&gt;Doctoral candidate, Literacy, Culture &amp;amp; Language Education at Indiana University, Bloomington (USA)&lt;/li&gt;
&lt;li&gt;Faculty of Economics, Nagoya Gakuin University, Japan&lt;/li&gt;
&lt;li&gt;Interests: Linguistic Landscape, Computer Assisted Language Learning, Peer Evaluation&lt;/li&gt;
&lt;/ul&gt;
&lt;hr&gt;
&lt;h2 id="agenda"&gt;Agenda&lt;/h2&gt;
&lt;ol&gt;
&lt;li&gt;
&lt;/li&gt;
&lt;li&gt;
&lt;/li&gt;
&lt;li&gt;
&lt;/li&gt;
&lt;li&gt;
&lt;/li&gt;
&lt;/ol&gt;
&lt;hr&gt;
&lt;h2 id="ll"&gt;Linguistic Landscape&lt;/h2&gt;
&lt;font size="3"&gt;
&lt;ul&gt;
&lt;li&gt; publicly displayed signs, billboards, street names, and other forms of symbolic
&lt;li&gt; putting the place first: ``any (public) space with visible inscription made through deliberate human intervention and meaning making” (Jaworski &amp; Thurlow, 2010, p. 2)
&lt;li&gt; “authentic, dynamic, public mega-text” that represents “society at a micro-level” (Rowland, 2013, p. 503)
&lt;/ul&gt;
&lt;/font&gt;
&lt;img src="./P3270858.jpeg" width="400px"&gt;
&lt;img src="./IMG_241217_134704.jpeg" width="400px"&gt;
&lt;hr&gt;
&lt;h2 id="focus-of-original-studies"&gt;Focus of Original Studies&lt;/h2&gt;
&lt;ul&gt;
&lt;li&gt; language policy
&lt;li&gt; language vitality
&lt;/ul&gt;
&lt;p&gt;
&lt;img src="./donation.jpg" width="400px"&gt;
&lt;img src="./okinawa-fish.jpg" width="400px"&gt;
&lt;hr&gt;
&lt;h2 id="recent-trends"&gt;Recent Trends&lt;/h2&gt;
&lt;img src="./IMG_0394.jpeg" width="400px"&gt;
&lt;br&gt;
&lt;ul&gt;
&lt;li&gt; Semiotic landscapes
&lt;li&gt; Transgressive LLs
&lt;li&gt; Soundscapes
&lt;li&gt; Smellscapes
&lt;/ul&gt;
&lt;hr&gt;
&lt;h2 id="sacred"&gt;The LL of Religious Spaces&lt;/h2&gt;
&lt;img src="./narayan.jpg" width="400px"&gt;
&lt;p&gt;
&lt;font size="3"&gt;
&lt;ul&gt;
&lt;li&gt; What is sacred to a community?
&lt;li&gt; What (non-commercial) values are represented here?
&lt;li&gt; Who is this sacred space for?
&lt;li&gt; Little research has been done in linguistic landscapes of sacred spaces (religioscapes/churchscapes, mosquescapes, etc.)
&lt;/ul&gt;
&lt;/font&gt;
&lt;hr&gt;
&lt;h2 id="linguistic-landscape-in-sacred-spaces"&gt;Linguistic Landscape in Sacred Spaces&lt;/h2&gt;
&lt;font size="3"&gt;
&lt;ul&gt;
&lt;li&gt; proselytizing billboards around Addis Abeba, Ethiopia (Woldemariam &amp; Lanza, 2012)
&lt;li&gt; LLs of sacred spaces themselves: multilingual signs of holy places in Kuala Lumpur, Malaysia, English was found to be a neutral language that operates across inter-ethnic communication, despite the official prevalence of Bahasa Malay as an official language (Coluzzi &amp; Kitade, 2015)
&lt;li&gt; English played the dominant role in a Philippine church, supported by the indigenous Filipino and Pangasinan languages (Esteron, 2021)
&lt;li&gt; role of English in language choice was also a theme in multi-religious areas of Nigeria (Christianity, Islam, and African Traditional Religion) (Inya, 2019).
&lt;/ul&gt;
&lt;/font&gt;
&lt;img src="./sikh.jpg" width="400px"&gt;
&lt;hr&gt;
&lt;h2 id="atsuta-shrine"&gt;Atsuta Shrine&lt;/h2&gt;
&lt;ul&gt;
&lt;li&gt; One of the three most sacred shrines in Shinto
&lt;li&gt; 2000 years old
&lt;li&gt; Open 24/7/365
&lt;li&gt; 9 million visitors a year
&lt;li&gt; 190,000m2
&lt;/ul&gt;
&lt;br&gt;
&lt;img src="./torii.jpg" width="400px"&gt;
&lt;img src="./inner-shrine.jpg" width="400px"&gt;
&lt;hr&gt;
&lt;h2 id="the-ll-of-atsuta-shrine"&gt;The LL of Atsuta Shrine&lt;/h2&gt;
&lt;img src="./no-driving.jpg" width="200px"&gt;
&lt;img src="./kagekiyo-sha.jpg" width="200px"&gt;
&lt;img src="./horaiken.jpg" width="200px"&gt;
&lt;img src="./my-fuckin-dream.jpg" width="200px"&gt;
&lt;hr&gt;
&lt;h1 id="learning"&gt;The Linguistic Landscape as applied to language learning&lt;/h1&gt;
&lt;hr&gt;
&lt;h1 id="environmental-print"&gt;Environmental Print&lt;/h1&gt;
&lt;hr&gt;
&lt;h2 id="reading-the-environment-environmental-print"&gt;“Reading the Environment”: Environmental Print&lt;/h2&gt;
&lt;font size="4"&gt;
&lt;ul&gt;
&lt;li&gt; Early research (e.g., Adams, 1990; Dewitz &amp; Stammer, 1980; Goodman &amp; Altwerger,1981; Masonheimer et al., 1984) in language development can be found in children’s engaging with environmental print—“surrounding non-continuous print (e.g. words, letters, numerals and symbols) that is encountered in a particular context and fulfils real-life functions” (Neumann et al., 2012, p. 232).
&lt;li&gt; Child logos, community logos, household logos (Horner, 2005)
&lt;/ul&gt;
&lt;/font&gt;
&lt;hr&gt;
&lt;h2 id="bringing-the-outside-in"&gt;Bringing the Outside In&lt;/h2&gt;
&lt;ul&gt;
&lt;li&gt;Hudelson (1984): environmental print in developing reading and writing skills in children learning English as a Second Language.&lt;/li&gt;
&lt;li&gt;Utilizing “students’ lives and living environments for literacy experience” (p. 235) building on their own funds of knowledge (Moll et al., 1992)&lt;/li&gt;
&lt;/ul&gt;
&lt;hr&gt;
&lt;h2 id="additional-source-of-input"&gt;Additional Source of Input&lt;/h2&gt;
&lt;ol&gt;
&lt;li&gt;incidental learning&lt;/li&gt;
&lt;li&gt;pragmatic competence&lt;/li&gt;
&lt;li&gt;multimodal literacy skills&lt;/li&gt;
&lt;li&gt;multicompetence&lt;/li&gt;
&lt;li&gt;symbolic/emotional power of language.&lt;/li&gt;
&lt;/ol&gt;
&lt;p&gt;(Cenoz &amp;amp; Gorter, 2008)&lt;/p&gt;
&lt;hr&gt;
&lt;h3 id="early-studies-in-the-real-world"&gt;Early Studies: “In the Real World”&lt;/h3&gt;
&lt;font size="4"&gt;
&lt;ul&gt;
&lt;li&gt; Sayer (2010): Why do people in Oaxaca de Juárez, Mexico use English in public places?
&lt;li&gt; Student learning from a constructivist perspective, ``bottom up'' from their own exploration
&lt;li&gt; an authentic activity for exposure/practice where EFL opportunities are limited
&lt;li&gt; Social meanings that the symbolic use of English conveyed to the community:
&lt;ul&gt;
&lt;li&gt; Fashion
&lt;li&gt; Sophistication
&lt;li&gt; "Coolness"
&lt;li&gt; Sex
&lt;li&gt; Love
&lt;li&gt; Subversive identities
&lt;/ul&gt;
&lt;li&gt; Shifted identities from language learners to sociolinguists &amp; create their own inductive theories of language.
&lt;/ul&gt;
&lt;/font&gt;
&lt;hr&gt;
&lt;h2 id="pedagogical-benefits-of-efl-learning-in-the-ll"&gt;Pedagogical benefits of EFL learning in the LL&lt;/h2&gt;
&lt;ul&gt;
&lt;li&gt;vocabulary learning&lt;/li&gt;
&lt;li&gt;increasing familiarity with the language of English&lt;/li&gt;
&lt;li&gt;spelling&lt;/li&gt;
&lt;li&gt;English language structure (Dumanig &amp;amp; David, 2019)&lt;/li&gt;
&lt;li&gt;student choice in learning&lt;/li&gt;
&lt;li&gt;opportunity to critically engage with the LL in their language learning (Barrs, 2020)&lt;/li&gt;
&lt;/ul&gt;
&lt;hr&gt;
&lt;h4 id="the-linguistic-landscape-as-a-means-for-learning-about-social-economic-and-political-issues"&gt;The Linguistic Landscape as a Means for Learning about Social, Economic, and Political Issues&lt;/h4&gt;
&lt;font size="3"&gt;
&lt;ul&gt;
&lt;li&gt; The linguistic landscape can provide a clear mirror of society (Shohamy, 2018; Trumper-Hecht, 2010)
&lt;li&gt; can be a critical resource to learn about the culture of the target language “by focusing on diversity, discrimination, exclusion, controversies, ideologies and justice” (Shohamy, 2018, p. 32).
&lt;li&gt; Students have learned which languages are privileged and which are marginalized (Brown, 2007)
&lt;li&gt; Where groups of people, e.g., newly arrived immigrants and refugees, live and why they live there (Dagenais et al., 2009)
&lt;li&gt; and who has a voice to participate and why (Huyer, 2019).
&lt;li&gt; Teacher trainees have also been taught to examine their own attitudes about multilingualism in the linguistic landscape (Hancock, 2012).
&lt;li&gt; If society is unjust, “[C]an [a linguistic landscape] be changed and used to transform societies, cities and neighbourhoods?” (Shohamy 2018, p. 32).I
&lt;li&gt; Exposing learners to the silences within and related to texts of the LL, in order that they become active participants in meaning making and negotiation (Richardson, 2020)
&lt;/ul&gt;
&lt;/font&gt;
&lt;hr&gt;
&lt;h2 id="affordances"&gt;Affordances&lt;/h2&gt;
&lt;font size="4"&gt;
&lt;ul&gt;
&lt;li&gt; With a digital camera, student-researchers are able to quickly learn to collect LL data ontheir own.
&lt;li&gt; By going out and collecting images of the LL, finding sources of authentic input becomes simpler and more straightforward than collecting other forms of authentic material, especially in locales where the target language is not often encountered in daily life
&lt;li&gt; Finding situated language may be easier to make sense of than decontextualized speech acts or written words that may be beyond the student’s ability
&lt;li&gt; “the opportunity to consider their own affective responses and ethical stance toward the people and places around them” (Malinowski et al., 2020, p. 2)
&lt;li&gt; uses the public space to create more social and political consciousness through language awareness, linguistic activism, and self-conceptions of citizenship (Malinowski et al., 2020).
&lt;/ul&gt;
&lt;/font&gt;
&lt;hr&gt;
&lt;h2 id="learning-sacred"&gt;The Study in Question&lt;/h2&gt;
&lt;p&gt;The purpose of this pilot study is to describe ways that Japanese EFL university students interacted with the multilingual linguistic landscape of an important Shinto shrine to construct their second language learning.
&lt;font size="4"&gt;&lt;/p&gt;
&lt;ol&gt;
&lt;li&gt; How do Japanese university EFL students use the multilingual linguistic landscape in their language learning?
&lt;li&gt; What language learning practices does the teacher perceive as beneficial in general language learning?
&lt;li&gt; What professional teacher practices contribute to EFL students’ language learning in this context?
&lt;/ol&gt;
&lt;/font&gt;
&lt;hr&gt;
&lt;h2 id="methodology"&gt;Methodology&lt;/h2&gt;
&lt;ul&gt;
&lt;li&gt;Participants: Seven females and six male first-year students majoring in Commerce from at a nearby university voluntarily took part in the study.&lt;/li&gt;
&lt;li&gt;Participants were recruited through snowball sampling.&lt;/li&gt;
&lt;li&gt;All were native Japanese speakers and were aged 18–19 years old.&lt;/li&gt;
&lt;li&gt;All had similarly low English language proficiency.&lt;/li&gt;
&lt;li&gt;Some were somewhat familiar with the shrine, but this was their first visit to the shrine.&lt;/li&gt;
&lt;/ul&gt;
&lt;hr&gt;
&lt;h2 id="methodology-1"&gt;Methodology&lt;/h2&gt;
&lt;h4 id="data-collection"&gt;Data Collection&lt;/h4&gt;
&lt;font size="4"&gt;
&lt;ul&gt;
&lt;li&gt; Following a brief introduction to linguistic landscape and its basic concepts, I guided the participants on an approximately 10-minute walk from the university to the shrine, and had students take pictures of the multilingual LL and fill out a brief survey.
&lt;li&gt; “commented walks” (Stroud &amp; Jegels, 2014)—an embodied, transmodal practice in the interaction of signs and bodies. There is “the importance of social action for the making of space” (Mondada, 2011, p. 291) in the linguistic landscape.
&lt;li&gt; Spatial practices, namely walking, “highlighting both a praxeological construal of local place and an understanding of locality in terms of mobility” (p. 183). The signage in and around the shrine was read and incorporated into the spatial narratives of the participants as they moved through it. I took field notes as I interacted with students
&lt;li&gt; participant-generated photographs of signs in the area were also collected.
&lt;li&gt; Questionnaire
&lt;/ul&gt;
&lt;/font&gt;
&lt;hr&gt;
&lt;p&gt;
&lt;figure &gt;
&lt;div class="flex justify-center "&gt;
&lt;div class="w-full" &gt;
&lt;img alt=""
srcset="https://example.com/slides/thaitesol/IMG_2372_hu_a80fb79f2286e2ff.webp 320w, https://example.com/slides/thaitesol/IMG_2372_hu_bc05af1b4cb3bbba.webp 480w, https://example.com/slides/thaitesol/IMG_2372_hu_bd8d01c9414f7bad.webp 760w"
sizes="(max-width: 480px) 100vw, (max-width: 768px) 90vw, (max-width: 1024px) 80vw, 760px"
src="https://example.com/slides/thaitesol/IMG_2372_hu_a80fb79f2286e2ff.webp"
width="760"
height="570"
loading="lazy" data-zoomable /&gt;&lt;/div&gt;
&lt;/div&gt;&lt;/figure&gt;
&lt;/p&gt;
&lt;hr&gt;
&lt;img src="./IMG_0298.jpeg" height="50%"&gt;
&lt;hr&gt;
&lt;img src="./IMG_0398.jpeg" height="50%"&gt;
&lt;hr&gt;
&lt;img src="./IMG_0743.jpeg" height="50\%"&gt;
&lt;hr&gt;
&lt;h2 id="results"&gt;Results&lt;/h2&gt;
&lt;h4 id="how-do-japanese-university-efl-students-use-the-multilingual-linguistic-landscape-in-their-language-learning"&gt;How do Japanese university EFL students use the multilingual linguistic landscape in their language learning?&lt;/h4&gt;
&lt;font size="4"&gt;
&lt;ul&gt;
&lt;li&gt; Initial familiarity: “[In my hometown], there are many signboards around the station and the cultural center. Those signs have Japanese text on the top, Chinese text in the middle, and English text on the bottom.”
&lt;li&gt; Authentic input: “I was able to visualize what kind of English there is in everyday life,”
&lt;li&gt; Learning in a local environment::“opportunities to come into contact with the language I was learning,”
&lt;li&gt; Motivation:“Since I can touch English in my daily life, I would like to continue using it as an efficient way to study English.”
&lt;/ul&gt;
&lt;/font&gt;
&lt;hr&gt;
&lt;h4 id="how-do-japanese-university-efl-students-use-the-multilingual-linguistic-landscape-in-their-language-learning-1"&gt;How do Japanese university EFL students use the multilingual linguistic landscape in their language learning?&lt;/h4&gt;
&lt;font size="4"&gt;
&lt;ul&gt;
&lt;li&gt; The first surprise in this study was that although some texts were multilingual, the participants did not immediately associate it as such.
&lt;li&gt; Were both the speaker and audience are assumed to be Japanese—even if communicating through English words?
&lt;li&gt; English words are often used a decorative rather than communicative function in Japan, and although the information may be relayed in English, the participants did not see it as a “foreign language.”
&lt;li&gt; Additionally, although Japanese and Chinese share many of the same written language and the four-Chinese characters phrase can be parsed together by a Japanese speaker, the Chinese phrase is not commonly used in Japanese
&lt;li&gt; It was surprising to see that three languages on this sign were perceived to be only in Japanese.
&lt;/ul&gt;
&lt;/font&gt;
&lt;hr&gt;
&lt;h4 id="what-professional-teacher-practices-contribute-to-efl-students-language-learning-in-this-context"&gt;What professional teacher practices contribute to EFL students’ language learning in this context?&lt;/h4&gt;
&lt;font size="4"&gt;
&lt;ul&gt;
&lt;li&gt; Although one student, in his first exposure to LL studies, saw “cross cultural understanding,” it may benefit students to encourage critical thinking about the sign.
&lt;li&gt; Four languages: Japanese, English, Chinese (Traditional), and Korean.
&lt;li&gt; examining the materiality: English word “sacred” has been modified. It may be useful to have students discuss their findings with each other as well as to analyze modifications to signs.
&lt;/ul&gt;
&lt;/font&gt;
&lt;hr&gt;
&lt;h4 id="what-language-learning-practices-does-the-teacher-perceive-as-beneficial-in-general-language-learning"&gt;What language learning practices does the teacher perceive as beneficial in general language learning?&lt;/h4&gt;
&lt;font size="4"&gt;
&lt;ul&gt;
&lt;li&gt; code preference is Japanese, English, Simplified Chinese, Korean, and Portuguese.
&lt;li&gt; Students may take a critical view here on the inclusion and exclusion of languages as well as the choices of Simplified and Traditional Chinese scripts.
&lt;li&gt; The code preference (Scollon &amp; Scollon, 2003) gives Japanese the top-billing and may indicate some power relations as the dominant authority (Ben-Rafael, 2008).
&lt;/ul&gt;
&lt;/font&gt;
&lt;hr&gt;
&lt;h2 id="conclusion"&gt;Conclusion&lt;/h2&gt;
&lt;font size="4"&gt;
&lt;ul&gt;
&lt;li&gt; This paper has described ways that Japanese English as a Foreign Language (EFL) university students interacted with the multilingual linguistic landscape of an important Shinto shrine to construct their second language learning.
&lt;li&gt; affordances of using the LL
&lt;li&gt; Pedagogical possibilities of language order in a sacred space
&lt;li&gt; The positive attitude of learners connecting the target language to their daily lives
&lt;li&gt; participant difficulty finding foreign languages—occasionally mistaking English as Japanese communication, and traditional Japanese language for a foreign language.
&lt;/ul&gt;
&lt;/font&gt;
&lt;hr&gt;
&lt;h1 id="thank-you"&gt;Thank you!&lt;/h1&gt;
&lt;p&gt;Ryan Barnes&lt;/p&gt;
&lt;p&gt;Nagoya Gakuin University&lt;/p&gt;
&lt;p&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;/p&gt;</description></item><item><title>Slides</title><link>https://example.com/slides/example/</link><pubDate>Tue, 05 Feb 2019 00:00:00 +0000</pubDate><guid>https://example.com/slides/example/</guid><description>&lt;h1 id="create-slides-in-markdown-with-wowchemy"&gt;Create slides in Markdown with Wowchemy&lt;/h1&gt;
&lt;p&gt;
|
&lt;/p&gt;
&lt;hr&gt;
&lt;h2 id="features"&gt;Features&lt;/h2&gt;
&lt;ul&gt;
&lt;li&gt;Efficiently write slides in Markdown&lt;/li&gt;
&lt;li&gt;3-in-1: Create, Present, and Publish your slides&lt;/li&gt;
&lt;li&gt;Supports speaker notes&lt;/li&gt;
&lt;li&gt;Mobile friendly slides&lt;/li&gt;
&lt;/ul&gt;
&lt;hr&gt;
&lt;h2 id="controls"&gt;Controls&lt;/h2&gt;
&lt;ul&gt;
&lt;li&gt;Next: &lt;code&gt;Right Arrow&lt;/code&gt; or &lt;code&gt;Space&lt;/code&gt;&lt;/li&gt;
&lt;li&gt;Previous: &lt;code&gt;Left Arrow&lt;/code&gt;&lt;/li&gt;
&lt;li&gt;Start: &lt;code&gt;Home&lt;/code&gt;&lt;/li&gt;
&lt;li&gt;Finish: &lt;code&gt;End&lt;/code&gt;&lt;/li&gt;
&lt;li&gt;Overview: &lt;code&gt;Esc&lt;/code&gt;&lt;/li&gt;
&lt;li&gt;Speaker notes: &lt;code&gt;S&lt;/code&gt;&lt;/li&gt;
&lt;li&gt;Fullscreen: &lt;code&gt;F&lt;/code&gt;&lt;/li&gt;
&lt;li&gt;Zoom: &lt;code&gt;Alt + Click&lt;/code&gt;&lt;/li&gt;
&lt;li&gt;
&lt;/li&gt;
&lt;/ul&gt;
&lt;hr&gt;
&lt;h2 id="code-highlighting"&gt;Code Highlighting&lt;/h2&gt;
&lt;p&gt;Inline code: &lt;code&gt;variable&lt;/code&gt;&lt;/p&gt;
&lt;p&gt;Code block:&lt;/p&gt;
&lt;div class="highlight"&gt;&lt;pre tabindex="0" class="chroma"&gt;&lt;code class="language-python" data-lang="python"&gt;&lt;span class="line"&gt;&lt;span class="cl"&gt;&lt;span class="n"&gt;porridge&lt;/span&gt; &lt;span class="o"&gt;=&lt;/span&gt; &lt;span class="s2"&gt;&amp;#34;blueberry&amp;#34;&lt;/span&gt;
&lt;/span&gt;&lt;/span&gt;&lt;span class="line"&gt;&lt;span class="cl"&gt;&lt;span class="k"&gt;if&lt;/span&gt; &lt;span class="n"&gt;porridge&lt;/span&gt; &lt;span class="o"&gt;==&lt;/span&gt; &lt;span class="s2"&gt;&amp;#34;blueberry&amp;#34;&lt;/span&gt;&lt;span class="p"&gt;:&lt;/span&gt;
&lt;/span&gt;&lt;/span&gt;&lt;span class="line"&gt;&lt;span class="cl"&gt; &lt;span class="nb"&gt;print&lt;/span&gt;&lt;span class="p"&gt;(&lt;/span&gt;&lt;span class="s2"&gt;&amp;#34;Eating...&amp;#34;&lt;/span&gt;&lt;span class="p"&gt;)&lt;/span&gt;
&lt;/span&gt;&lt;/span&gt;&lt;/code&gt;&lt;/pre&gt;&lt;/div&gt;&lt;hr&gt;
&lt;h2 id="math"&gt;Math&lt;/h2&gt;
&lt;p&gt;In-line math: $x + y = z$&lt;/p&gt;
&lt;p&gt;Block math:&lt;/p&gt;
$$
f\left( x \right) = \;\frac{{2\left( {x + 4} \right)\left( {x - 4} \right)}}{{\left( {x + 4} \right)\left( {x + 1} \right)}}
$$&lt;hr&gt;
&lt;h2 id="fragments"&gt;Fragments&lt;/h2&gt;
&lt;p&gt;Make content appear incrementally&lt;/p&gt;
&lt;div class="highlight"&gt;&lt;pre tabindex="0" class="chroma"&gt;&lt;code class="language-fallback" data-lang="fallback"&gt;&lt;span class="line"&gt;&lt;span class="cl"&gt;{{% fragment %}} One {{% /fragment %}}
&lt;/span&gt;&lt;/span&gt;&lt;span class="line"&gt;&lt;span class="cl"&gt;{{% fragment %}} **Two** {{% /fragment %}}
&lt;/span&gt;&lt;/span&gt;&lt;span class="line"&gt;&lt;span class="cl"&gt;{{% fragment %}} Three {{% /fragment %}}
&lt;/span&gt;&lt;/span&gt;&lt;/code&gt;&lt;/pre&gt;&lt;/div&gt;&lt;p&gt;Press &lt;code&gt;Space&lt;/code&gt; to play!&lt;/p&gt;
&lt;span class="fragment " &gt;
One
&lt;/span&gt;
&lt;span class="fragment " &gt;
&lt;strong&gt;Two&lt;/strong&gt;
&lt;/span&gt;
&lt;span class="fragment " &gt;
Three
&lt;/span&gt;
&lt;hr&gt;
&lt;p&gt;A fragment can accept two optional parameters:&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;&lt;code&gt;class&lt;/code&gt;: use a custom style (requires definition in custom CSS)&lt;/li&gt;
&lt;li&gt;&lt;code&gt;weight&lt;/code&gt;: sets the order in which a fragment appears&lt;/li&gt;
&lt;/ul&gt;
&lt;hr&gt;
&lt;h2 id="speaker-notes"&gt;Speaker Notes&lt;/h2&gt;
&lt;p&gt;Add speaker notes to your presentation&lt;/p&gt;
&lt;div class="highlight"&gt;&lt;pre tabindex="0" class="chroma"&gt;&lt;code class="language-markdown" data-lang="markdown"&gt;&lt;span class="line"&gt;&lt;span class="cl"&gt;{{% speaker_note %}}
&lt;/span&gt;&lt;/span&gt;&lt;span class="line"&gt;&lt;span class="cl"&gt;
&lt;/span&gt;&lt;/span&gt;&lt;span class="line"&gt;&lt;span class="cl"&gt;&lt;span class="k"&gt;-&lt;/span&gt; Only the speaker can read these notes
&lt;/span&gt;&lt;/span&gt;&lt;span class="line"&gt;&lt;span class="cl"&gt;&lt;span class="k"&gt;-&lt;/span&gt; Press &lt;span class="sb"&gt;`S`&lt;/span&gt; key to view
&lt;/span&gt;&lt;/span&gt;&lt;span class="line"&gt;&lt;span class="cl"&gt; {{% /speaker_note %}}
&lt;/span&gt;&lt;/span&gt;&lt;/code&gt;&lt;/pre&gt;&lt;/div&gt;&lt;p&gt;Press the &lt;code&gt;S&lt;/code&gt; key to view the speaker notes!&lt;/p&gt;
&lt;aside class="notes"&gt;
&lt;ul&gt;
&lt;li&gt;Only the speaker can read these notes&lt;/li&gt;
&lt;li&gt;Press &lt;code&gt;S&lt;/code&gt; key to view&lt;/li&gt;
&lt;/ul&gt;
&lt;/aside&gt;
&lt;hr&gt;
&lt;h2 id="themes"&gt;Themes&lt;/h2&gt;
&lt;ul&gt;
&lt;li&gt;black: Black background, white text, blue links (default)&lt;/li&gt;
&lt;li&gt;white: White background, black text, blue links&lt;/li&gt;
&lt;li&gt;league: Gray background, white text, blue links&lt;/li&gt;
&lt;li&gt;beige: Beige background, dark text, brown links&lt;/li&gt;
&lt;li&gt;sky: Blue background, thin dark text, blue links&lt;/li&gt;
&lt;/ul&gt;
&lt;hr&gt;
&lt;ul&gt;
&lt;li&gt;night: Black background, thick white text, orange links&lt;/li&gt;
&lt;li&gt;serif: Cappuccino background, gray text, brown links&lt;/li&gt;
&lt;li&gt;simple: White background, black text, blue links&lt;/li&gt;
&lt;li&gt;solarized: Cream-colored background, dark green text, blue links&lt;/li&gt;
&lt;/ul&gt;
&lt;hr&gt;
&lt;section data-noprocess data-shortcode-slide
data-background-image="/media/boards.jpg"
&gt;
&lt;h2 id="custom-slide"&gt;Custom Slide&lt;/h2&gt;
&lt;p&gt;Customize the slide style and background&lt;/p&gt;
&lt;div class="highlight"&gt;&lt;pre tabindex="0" class="chroma"&gt;&lt;code class="language-markdown" data-lang="markdown"&gt;&lt;span class="line"&gt;&lt;span class="cl"&gt;{{&amp;lt; slide background-image=&amp;#34;/media/boards.jpg&amp;#34; &amp;gt;}}
&lt;/span&gt;&lt;/span&gt;&lt;span class="line"&gt;&lt;span class="cl"&gt;{{&amp;lt; slide background-color=&amp;#34;&lt;span class="ni"&gt;#0000FF&lt;/span&gt;&amp;#34; &amp;gt;}}
&lt;/span&gt;&lt;/span&gt;&lt;span class="line"&gt;&lt;span class="cl"&gt;{{&amp;lt; slide class=&amp;#34;my-style&amp;#34; &amp;gt;}}
&lt;/span&gt;&lt;/span&gt;&lt;/code&gt;&lt;/pre&gt;&lt;/div&gt;&lt;hr&gt;
&lt;h2 id="custom-css-example"&gt;Custom CSS Example&lt;/h2&gt;
&lt;p&gt;Let&amp;rsquo;s make headers navy colored.&lt;/p&gt;
&lt;p&gt;Create &lt;code&gt;assets/css/reveal_custom.css&lt;/code&gt; with:&lt;/p&gt;
&lt;div class="highlight"&gt;&lt;pre tabindex="0" class="chroma"&gt;&lt;code class="language-css" data-lang="css"&gt;&lt;span class="line"&gt;&lt;span class="cl"&gt;&lt;span class="p"&gt;.&lt;/span&gt;&lt;span class="nc"&gt;reveal&lt;/span&gt; &lt;span class="nt"&gt;section&lt;/span&gt; &lt;span class="nt"&gt;h1&lt;/span&gt;&lt;span class="o"&gt;,&lt;/span&gt;
&lt;/span&gt;&lt;/span&gt;&lt;span class="line"&gt;&lt;span class="cl"&gt;&lt;span class="p"&gt;.&lt;/span&gt;&lt;span class="nc"&gt;reveal&lt;/span&gt; &lt;span class="nt"&gt;section&lt;/span&gt; &lt;span class="nt"&gt;h2&lt;/span&gt;&lt;span class="o"&gt;,&lt;/span&gt;
&lt;/span&gt;&lt;/span&gt;&lt;span class="line"&gt;&lt;span class="cl"&gt;&lt;span class="p"&gt;.&lt;/span&gt;&lt;span class="nc"&gt;reveal&lt;/span&gt; &lt;span class="nt"&gt;section&lt;/span&gt; &lt;span class="nt"&gt;h3&lt;/span&gt; &lt;span class="p"&gt;{&lt;/span&gt;
&lt;/span&gt;&lt;/span&gt;&lt;span class="line"&gt;&lt;span class="cl"&gt; &lt;span class="k"&gt;color&lt;/span&gt;&lt;span class="p"&gt;:&lt;/span&gt; &lt;span class="kc"&gt;navy&lt;/span&gt;&lt;span class="p"&gt;;&lt;/span&gt;
&lt;/span&gt;&lt;/span&gt;&lt;span class="line"&gt;&lt;span class="cl"&gt;&lt;span class="p"&gt;}&lt;/span&gt;
&lt;/span&gt;&lt;/span&gt;&lt;/code&gt;&lt;/pre&gt;&lt;/div&gt;&lt;hr&gt;
&lt;h1 id="questions"&gt;Questions?&lt;/h1&gt;
&lt;p&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;/p&gt;</description></item></channel></rss>